Who invented the term impressionism

Surprisingly, given his risk-taking taste for the avant-garde, his temperament was conservative. The son of a successful art dealer, he grew up to become a conventional, haute-bourgeois Frenchman.

His conversion to Impressionism occurred in , when he was living in exile in London during the Franco-Prussian War. The French painter Daubigny introduced him to Monet and Pissarro, who were also exiled, and he fell in love with their work at once. In that spree alone, he spent 35, francs on paintings by Manet — which, in , was an extremely bold and risky thing to do. In fact, his extravagant spending in these early years, when Impressionism as yet had no market to speak of, almost bankrupted him.

But he felt sure that his gamble would eventually pay off. In time, it did — thanks largely to various strategies that he concocted in order to build a market for Impressionism.

He masterminded the second Impressionist exhibition of at his own gallery, ensuring that professional standards were employed. Later he inaugurated a series of one-man shows for individual Impressionist artists that helped win them serious attention. He allowed curious visitors to enter his elegant, art-bedecked apartment, which functioned as an unofficial showroom. And he persuaded wealthy Americans to start purchasing Impressionist pictures. A beginner's guide to Impressionism.

How the Impressionists got their name. Impressionist pictorial space. Degas, The Bellelli Family. Degas, At the Races in the Countryside. Degas, Visit to a Museum. Caillebotte, The Floor Scrapers. Caillebotte, Man at his Bath. A summer day in Paris: Morisot's Hunting Butterflies.

Cassatt, Little Girl in a Blue Armchair. Cassatt, Woman with a Pearl Necklace in a Loge. Like Renoir, she was interested in portraying people and is best known for her images of women and girls in private moments, best exemplified in her painting Girl Sewing.

Whistler particularly took the lessons of the Japanese influence on Impressionism to heart, while Homer embraced the lessons of light and color but preferred strong outlines, often focusing on his favorite subject, the sea. Seurat developed this style along with painter Paul Signac. Camille Pissarro, long an important figure in the movement, aligned with the Neo-Impressionists in his later years thanks to his fascination with optics, though this was not received well by the public.

His son Lucien had longer time as part of the Neo-Impressionists, though he is not as well known as his father. Never a consolidated movement, Post-Impressionism was more a reaction against Impressionism, which it considered too stifling. Post-Impressionists chose to portray not just what was tangible, taking a more symbolic and emotive approach to their subject matter, especially in color use, which was not required to express realism.

Impressionism: Art and Modernity. Metropolitan Museum of Art. Never Underestimate the Power of a Paint Tube. Smithsonian Magazine. Tudor History of Painting in Color Reproductions.

Robert Maillard, Editor. The Story of Painting. Sister Wendy Beckett and Patricia Wright. Art of the Western World.

Michael Wood. But if you see something that doesn't look right, click here to contact us! Subscribe for fascinating stories connecting the past to the present. Stretching from the late 19th century to the Surrealism is an artistic movement that has had a lasting impact on painting, sculpture, literature, photography and film. Bauhaus was an influential art and design movement that began in in Weimar, Germany.